descent into hell: lowboy rides the subway


the opening of john wray’s
lowboy


 

On November 11 Lowboy ran to catch a train. People were in his way but he was careful not to touch them. He ran up the platform’s corrugated yellow lip and kept his eyes on the train’s cab, commanding it to wait. The doors had closed already but they opened when he kicked them. He couldn’t help but take that as a sign.

 

He got on board the train and laughed. Signs and tells were all around him. The floor was shivering and ticking beneath his feet and the bricktiled arches above the train beat the murmurings of the crowd into copper and aluminum foil. Every seat in the car had a person in it. Notes of music rang out as the doors closed behind him: C# first, then A. Sharp against both ears, like the tip of a pencil. He turned and pressed his face against the glass.

 

Skull & Bones, his state-appointed enemies, were forcing their way headfirst up the platform. Skull was a skinny milkfaced man, not much to look at, but Bones was the size of a MetroCard booth. They moved like policemen in a silent movie, as though their shoes were too big for their feet. No one stood aside for them. Lowboy smiled as he watched them stumbling toward him: he felt his fear falling away with each ridiculous step they took. I’ll have to think of something else to call them now, he thought. Short & Sweet. Before & After. Bridge & Tunnel.

 

Bones saw him first and started pounding on the doors. Spit flew noiselessly from his mouth against the scuffed and greasy glass. The train lurched then stopped then lurched forward again. Lowboy gave Bones his village idiot smile, puckering his lips and blinking, and solemnly held up his middle finger. Skull was running now, struggling to keep even with the doors, moving his arms in slow emphatic circles. Bones was shouting something at the conductor. Lowboy whistled the door-closing theme at them and shrugged. C# to A, C# to A. The simplest, sweetest melody in the world.

 

Everyone in the car would later agree that the boy seemed in very high spirits. He was late for something, by the look of him, but he carried himself with authority and calm. He was making an effort to seem older than he was. His clothes fit him badly, hanging apologetically from his body, but because he was blue-eyed and unassuming he caused nobody concern. They watched him for a while, glancing at him whenever his back was turned, the way people look at one another on the subway. What’s a boy like that doing, a few of them wondered, dressed in such hideous clothes?

 

The train fit into the tunnel perfectly. It slipped into the tunnel like a hand into a pocket and closed over Lowboy’s body and held him still. He kept his right cheek pressed against the glass and felt the air3 and guttered bedrock passing. I’m on a train, he thought. Skull & Bones aren’t on it. I’m taking the local uptown.

 

The climate in the car was temperate as always, hovering comfortably between 62 and 68 degrees. Its vulcanized rubber doorjambs allowed no draft to enter. Its suspension system, ribbonpressed butterfly shocks manufactured in St. Louis, Missouri, kept the pitching and the jarring to a minimum. Lowboy listened to the sound of the wheels, to the squealing of the housings at the railheads and the bends, to the train’s manifold and particulate elements functioning effortlessly in concert. Welcoming, familiar, almost sentimental sounds. His thoughts fell slackly into place. Even his cramped and claustrophobic brain felt a measure of affection for the tunnel. It was his skull that held him captive, after all, not the tunnel or the passengers or the train. I’m a prisoner of my own brainpan, he thought. Hostage of my limbic system. There’s no way out for me but through my nose.

 

I can make jokes again, Lowboy thought. Stupid jokes but never mind. I never could have made jokes yesterday.

 

Lowboy was five foot ten and weighed 150 pounds exactly. His hair was parted on the left. Most things that happened didn’t bother him at all, but others got inside of him and stuck: nothing to do then but cough them up. He had a list of favorite things that he took out whenever there was a setback, ticking them off in order like charms on a bracelet. He recited the first eight from memory:

 

Obelisks.

Invisible ink.

Violet Heller.

Snowboarding.

The Brooklyn Botanic Garden.

Jacques Cousteau.

Bix Beiderbecke.

The tunnel.

 

 

His father had taken him snowboarding once, in the Poconos. The Poconos and the beach at Breezy Point were items nine and ten. His skin turned dark brown in the summer, like an Indian’s or a surfer’s, but now it was white as a dead body’s from all the time he’d spent away.

 

Lowboy stared down at his deadlooking arms. He pressed his right palm hard against the glass. He came from a long line of soldiers, and was secretly a soldier himself, but he’d sworn on his father’s grave that he would never go to war. Once he’d almost killed someone with just his two bare hands.

 

The tunnel straightened itself without any sign of effort and the rails and wheels and couplings went quiet. Lowboy decided to think about his mother. His mother was blond, like a girl on a billboard, but she was already over thirty-eight years old. She painted eyes and lips on mannequins for Saks and Bergdorf Goodman. She painted things on mannequins no one would ever see. Once he’d asked about the nipples and she’d laughed into her fist and changed the subject. On April 15 she would turn thirty-nine unless the rules changed or he’d miscounted or she died. He was closer to her house now than he’d been in eighteen months. He had these directions: transfer at Columbus Circle, wait, then six stops close together on the C. That’s all it was. But he would never see his mother’s house again.

 

….

 

Slowly and carefully, with studied precision, he shifted his attention toward the train. Trains were easier to consider. There were thousands of them in the tunnel, pushing ghost trains of compressed air ahead of them, and every single one of them had a purpose. The train he was on was bound for Bedford Park Boulevard. Its coat-ofarms was a B in Helvetica type, rampant against a bright orange escutcheon. The train to his grandfather’s house had that same color: the color of wax fruit, of sunsets painted on velvet, of light through half-closed eyelids at the beach. William of Orange, he thought, giving himself over to the dream of it. William of Orange is my name. He closed his eyes and passed a hand over his face and pictured himself strolling the grounds of Windsor Castle. It was pleasantly cool there under the boxcut trees. He saw dark, paneled corridors and dustcovered paintings, high ruffled collars and canopied beds. He saw a portrait of himself in a mink pillbox hat. He saw his mother in the kitchen, frying onions and garlic in butter. Her face was the color of soap. He bit down hard on his lip and forced his eyes back open.

 

A self-conscious silence prevailed in the car. Lowboy noticed it at once. The passengers were studying him closely, taking note of his scuffed Velcro sneakers, his corduroy pants, his misbuttoned shirt, and his immaculately parted yellow hair. In the glass he saw their puzzled looks reflected. They think I’m on a date, he thought. They think I’m on a field trip. If they only knew.

 

“I’m William of Orange,” said Lowboy. He turned around so he could see them better. “Has anybody got a cigarette?”

 

The silence got thicker. Lowboy wondered whether anyone had heard him. Sometimes it happened that he spoke perfectlyclearly, taking pains with each word, and no one paid him any mind at all. In fact it happened often. But on that day, on that particular morning, he was undeniable. On that particular morning he was at his best.

 

….

 

A man to his left sat up and cleared his throat. “Truant,” the man said, as if in answer to a question.

 

“Excuse me?” said Lowboy.

 

“You’re a truant?” the man said.

 

He spoke the sentence like a piece of music. Lowboy squinted at him. A dignified man with an elegant wedgeshaped beard and polished shoes. His face and his beard were exactly the same color. He sat very correctly, with his knees pressed together and his hands in his lap. His pants were white and sharply creased and his green leather jacket had a row of tiny footballs where its buttons should have been. His hair was bound up in an orange turban. He looked stately and unflappable and wise.

 

“I can’t be a truant,” said Lowboy. “They’ve already kicked me out of school.”

 

“Is that so,” the man said severely. “What for?”

 

Lowboy took his time answering. “It was a special sort of school,” he said finally. “Progressive. They sent me home for good behavior.”

 

“I can’t hear you,” said the man. He shook his head thoughtfully, letting his thin mouth hang open, then patted the seat next to him. “What did you say?”

 

Lowboy stared down at the empty seat. It had happened again, he decided. He’d been moving his lips without actually speaking. He stepped forward and repeated himself.

 

“Is that so,” said the man. He heaved a gracious sigh. “You aren’t coming out of prison?”

 

“You’re a Sikh,” Lowboy said.

 

The man’s eyes opened wide, as though the Sikhs were a forgotten race. “It must be a very good school, to teach you that!”

 

Lowboy took hold of the crosspole and let himself hang forward. There was something melodramatic about the Sikh. Something contrived. His skin lightened slightly where his face met his turban, and the hair behind his ears was platinum blond. “I read about you in the library,” Lowboy said. “I know all about you Sikhs.”

 

They were coming up to the next station. First came the slight falling back of the tunnel, then the lights, then the noise, then the change in his body. His left side got light and his right side got heavy and he had to hold on to the pole with all his strength. The fact that he’d met a Sikh first, out of everyone in the tunnel, signified something without question but its meaning refused to come clear to him. I’ll think about him when we stop, Lowboy

said to himself. In a little while I’ll think about him. Then I’ll know.

 

The platform when it came was narrow and neglected-looking and much less crowded than the one before had been. He’d expected to find everyone waiting for him—his mother, Dr. Kopeck, Dr. Prekopp, Skull & Bones—but there was no one on the platform that he knew.

 

The doors slid open and closed on nothing.

 


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the final days of friedrich nietzsche: “tears in turin” by muharem bazdulj

 

TEARS IN TURIN

 

Shame.—A beautiful horse stands there, scratches the soil, wheezes, and longs for someone to ride it and loves the one who usually rides it—but, oh, what a shame! Today he is not able to soar on the horse, being tired.—That is a shame of a tired philosopher faced with his own philosophy.

 

The Dawn

 

There are cases in which we are like horses, we psychologists, and become restless: we see our own shadow wavering up and down before us. A psychologist must turn his eyes from himself to eye anything at all.

 

Twilight of the Idols

 

12.31.1888

 

Just as the sun began to draw golden hieroglyphs on the wall through the translucent fabric of the curtains, Nietzsche woke up. The bed was under a window, so Friedrich, lying on his side, was able to observe undisturbed the golden symbols’ dance on the white wall across from the window, a dance that reminded him of the flickering of Midsummer’s Eve fires. In the silence he heard only the uniform sound of his own breathing and the slow and regular beating of his heart (as always, his pulse was never more than sixty beats per minute, just as it usually was never less than that limit; his heart beat exactly once per second like some atomic clock, the temporal equivalent of one of those geometric bodies of exact dimensions made of a particular alloy that are kept in a special institute as prototypes of official measurement units; thus if one kilogram is in fact the mass of an equilateral cylinder of a radius of thirty-nine millimeters made of an alloy of 90 percent platinum and 10 percent iridium kept in the International Bureau for Measurements and Weights in Sevres, then one second is the time during which Nietzsche’s heart made one beat, and not, as it is claimed, the duration of 9192631770 periods of radiation corresponding to the transition between two hyperfine levels of the ground state of the cesium 133 atom—if this means anything at all). With his right hand he was massaging his forehead around the temples. Maybe he had a headache. Last night, as usual, he was bothered by insomnia, which almost every night was as quietly and unpretentiously persistent as the sound of a fountain. It returned eternally. That is why this morning, too, Nietzsche was lying wide awake and trying, apparently, to give his tired body a rest, a rest his brain did not want. It was as if his brain had an inkling of the rest it would not give his body. On a night table next to the bed were books stacked in straight towers, like floors of a high-rise. The letters on their spines formed some strange crossword, with the vertical letters making incomprehensible and mostly unpronounceable piles of consonants mixed with a few vowels, while the horizontal letters proffered the famous names of Dostoyevsky, Seneca, Stendhal, Kant, Thucidydes, Schiller, Heraclitus, Rousseau, Goethe, and Schopenhauer. On a desk by the wall, illuminated by the sun, were Nietzsche’s papers and writings. He had written a lot in the past year, a year whose last hours were just passing. He had never liked this holiday, this so-called New Year, the grotesque tail of Christmas, dies nefastus, a day that in fact represents the day of the circumcision of the purported Messiah, his almost grotesque first spilling of blood. But today’s day was nearly special even according to Nietzsche’s personal calendar, the calendar he had invented in The Antichrist (which was on the desk among other writings), completed exactly three months ago, on September 30, 1888, according to—as he wrote—the false calendar. That day Nietzsche declared to be Salvation Day, the first day of the first year, making this thirty-first day of December of 1888 the second day of the third month of the first year. Nietzsche frowned while the thoughts of some mystic quasi-pythagorian analogy were probably going through his head. In fact, the day dearest to Friedrich, which he would pick as a starting point for his calendar (from which he—it is completely logical—did start counting time in a way), was his birthday—October 15. That day was in some way his name day—luckily, not in a religious sense. October 15 was the birthday of the Prussian king Friedrich Wilhelm IV after whom Nietzsche was named. On the desk among the manuscripts, as a silent witness, his Ecce Homo was lying. Nietzsche probably knew by heart all the sentences he had written not so long ago. Maybe he was whispering them now in his bed. As I was born on October 15, the birthday of the above-named king, I naturallyreceived the Hohenzollern name Friedrich Wilhelm. There was at all events one advantage in the choice of this day: my birthday throughout my entire childhood was a public holiday. If Nietzsche was really remembering his childhood birthdays, when he believed that his whole homeland was celebrating just his birthday, then he could not have missed an ironic detail connected to his birthday and the calendar he had established three months ago that had declared September 30 Salvation Day and the start of a new calculation of time. By establishing his own calendar he had made himself a kind of Julius Caesar (and he loved Caesar as can be witnessed by another of his works, Twilight of the Idols, lying on the desk between The Antichrist and Ecce Homo). Caesar’s calendar was adjusted approximately fifteen days backward by Pope Gregory, but if Nietzsche’s calendar could be adjusted, this could be done only by some antipope and Antigregory, and adjusted in the only possible way, fifteen days ahead, making New Year’s day fall on his birthday—the Antichrist’s birthday, instead of some Middle Eastern mess about the circumcision of a purported Messiah. Nietzsche smiled silently. In moments of silence and loneliness he always found most similar to himself the personalities he scorned the most in his writings, the personalities of the two greatest and most famous oral teachers (and that was probably their only feature completely opposite to his own, because Nietzsche was a teacher only in a written sense, but orally—while teaching at the University—he was only a lecturer; but even this difference between the oral preaching of his two greatest impossibles and his own leaning toward written prophecies was more a consequence of the times than their characters): with the dialectician and the rabbi, Socrates and Christ. He raised himself on his elbows just to reach a clock on the night table with books, to see the time. It was almost eleven. But still, Nietzsche lay down again. Forgetting, apparently, that he had awakened at daybreak, he thought it might have been noon already, making this late morning moment too early for getting up. If he had already resigned himself to wait for noon in bed, then there was no reason not to do it. Again he smiled gently, as if he remembered that Russian novel in which the hero wakes up at the beginning of the novel and spends the whole first section lying lazily in bed. But Friedrich was not accustomed to lazy lying in bed. It must have been that some strange and undefined weakness enveloped him this morning, this day actually, because he was still prone even at half an hour after noon. But realizing the time, he immediately got up. Strangely, he was not hungry. He spent the next three hours—almost till dusk—sitting in a chair. This way his afternoon was the same as his morning, apart from his back being in a vertical position. Luckily, it was not cold although it was December. Such was Turin. (The quiet and aristocratic city of Turin—so he wrote in Ecce Homo.) When dusk fell in his room, Nietzsche decided to go out. The decision to eat something was more the fruit of his giving in to habit rather than to demands from his belly, his brain searched for food more than did his stomach. After having a quick meal, Nietzsche walked through the streets of Turin for a long time. Almost paradoxically, his tiredness diminished as he walked more. A light southern wind was bringing a puff of additional warmth to the already mild air, like the feeling of a burst of blood to the head of a man with fever. Nietzsche’s forehead was beaded with sweat. But his heart was still working like a clock (and this comparison should not be considered colloquial but rather concrete and the most correct possible), and his breathing was just slightly quicker. At a street corner he stopped for a bit. He did not pause to rest (he didn’t need to), nor because he was in thought (in his youth he had read somewhere that people with lower mental capabilities are incapable of thinking and walking at the same time, the start of any barely significant thinking stops them immediately; then with pleasure he remembered a fact he had noticed long ago, although without assigning to it any positive or negative meaning, the fact that he thought better and quicker while walking), he simply tried to separate the sensations of time and space, to put himself under the control of time while being motionless in space, as if by doing this the power of time over him would be higher, as if the sum of time and space within a person is always constant, bringing him closer to time if he gives less control to space, and vice versa. Then he went to a particular spot, his own spot on the banks of Po. He had gone there for the first time when he completed The Antichrist, on the first day of the first year of his own calendar. For the last three months he had been coming here almost every time he went walking. He watched the water flowing. A river by day is not the same as by night. The sound of a river flowing in darkness is unreal and healing. He came back home fifteen minutes after ten o’clock and went straight to bed. Usually he went to bed later, trying to trick the insomnia. But this time he lay down early and, amazingly, fell asleep quickly. He did not want to be awake to hear the clock strike twelve irrevocable chimes.

 

1.1.1889

 

The first morning of the New Year was well under way when Nietzsche woke up. Amazed, he rubbed his sleepy eyes, trying to remember the last time he had slept this well, so deeply and for so long. It was almost ten o’clock. This time his body did not desire lazy lying but immediate rising. Nietzsche got up and began measuring the room with his steps, as if merely standing was not enough but rather it was necessary to emphasize his alertness and the pleasure caused by refreshing sleep. He yawned not in the nighttime but in the good-morning way, which expresses not sleepiness but ultimate escape from the gluey fingers of sleep—these two facial grimaces are identical, but identical in the same way that in ancient Egypt a  hieroglyphic symbol could represent two diametrically opposite things. This was a good beginning to January, almost like the one that a few years back gave him The Gay Science. To that January he had dedicated a poem in which he thanked it for crushing the ice of his soul with a flaming spear. Maybe this would be a similar January. Each month has its own special and direct, weather-independent influence on our bodily condition, even on the condition of our soul.— Somewhere sometime he had read this forceful diagnosis, which he accepted as correct even before it proved itself a few times in his life. Even his intimate calendar almost did not disturb the internal structure of months. With a new beginning came a new sequence of months, but some natural events, such as the beginnings of the seasons, still fell around the twenty-second of the month, just as in the false calendar. He stopped in the middle of the room almost out of breath. Walking in the room exhausted him, like a long walk in his cage exhausts a tiger. Then he opened a window and breathed good morning southern Piedmont air for a long time. The climate had always had a strong influence on his health and mood, and, consequently, on his writing. Who knows what would have happened to him had he always lived in his homeland, up there in the Teutonic cold? Good air makes a person feel fed and watered. This morning even the sky cheered up Nietzsche: clear, blue, bright, and crowded with birds. Leaving the window open, Nietzsche turned toward the interior of the room. He was looking at his desk. At the desk’s edge lay sorted manuscripts of his completed works, and the rest of the heavy wooden surface was messily covered in handwritten papers with sketches of aphorisms and conceptual writings. They were lying there in heaps, more like fallen tree leaves than like leaves of paper, like an illustration of the magnificent Wordsworth-Huxley misunderstanding, that tragic and symbolic meprise, which occurred when Huxley, for the title of a novel, took a phrase Wordsworth had used in a poem in which he invited a friend into the bosom of nature, calling on him to forget about those barren leaves of old books; Huxley, therefore, named his novel Barren Leaves, but in its translation into foreign languages the novel is just about always called Barren Tree Leaves. But the unrelenting perfect linearity and continuity of time (despite its eternal return that confirms it, since a circle is more cruel and strict than a simple straight line and thus, through its everlasting repetition, confirms the basic clear and light einmal ist keinmal line of existence) did not allow Friedrich to think about this paradox that he would certainly have liked, and so the smile on his face was caused by a simpler and more easily guessed analogy, by the fact that both the wooden desk and the leaves of paper were made of the same material; only the age of this particular desk prevented the thought that the wood and the paper had been made from the same tree or maybe from two neighboring trees. Today Nietzsche was in a good and diligent frame of mind. He walked to the desk and began looking at and sorting the messy papers, attempting with a glance to read and decode a fragment of text written with his quick and hard-to-read handwriting, written when he was trying to keep up with a whole flood of his thoughts in those lucid moments when it seemed that every drop that spilled from the pot that is his head had to be absorbed by paper or it would be irretrievably lost. He succeeded in sorting a heap of individual leaves into some kind of regular mass and put it aside. Happily and contentedly he began to flip through the pages of his completed manuscripts. He touched the pages of Ecce Homo gently, with, it seemed, the pleasant feeling that his writings justified their own existence. He turned over the pages, reading only the subtitles, as if flipping through a newspaper. The self-conscious pathetical-vain pomposity of these subtitles elicited a happy smile. He whispered slowly the rhetorical questions that headed the chapters: Why I am so wise, Why I am so clever, Why I write such excellent books, Why I am fate. In those phrases there was perhaps a grain of self-irony, or at least a hint that might eventually let one detect self-irony, but still this was his opinion and this was the easiest way to express it. Someone somewhere speaking about self-praise quoted a thought of Lord Bacon—the wisest, brightest, and meanest of mankind—who pointed out that even for self-commendation the ancient Latin praise of slander is valuable: Semper aliquid haeret. Maybe Nietzsche remembered Bacon because he had noticed his name on the pages he’d flipped and subconsciously glanced at: We hardly know enough about Lord Bacon—the first realist in the highest sense of the word—to be sure of everything he did, everything he willed, and everything he experienced in himself. The other names written on the manuscript’s pages must have been noticed as well: Heine, Wagner, da Vinci, Bach, Ranke, Horace. Each name brought its own associations, the same way that smell and taste evoke their own recollections and stimulate memories. He liked to think that future poets and philosophers would consider him as significant as he considered a few of his own teachers. His time was not fond of him. He put Ecce Homo aside and took up the manuscript of The Antichrist, perhaps remembering one of the first sentences in that book, a sentence he had written while thinking about himself: Some men are born posthumously. In fact, resentment wafted from all his works due to the absence of tribute and admiration, resentment concealed by self-love and a pose of prior knowledge and expectation or almost prophetic  presentiments about thefate accorded to his writing by the times he lived in, by the fairly unenviable and rather subdued level of reception of his works. Yet, while still young, he had made noncontemporaneity his main goal. He was troubled most of all by the unreceptiveness of the times, but he always consoled himself with the firm belief—and on mornings like this one he believed it without a trace of suspicion—that his time would come, a time when one day his name would be associated with the memory of something tremendous. Already there were some sensible and prophetic souls who had not passed out from the thin mountain air of his writings. Recently he had mailed a short text about himself—an encoded life—at the request of the Danish professor Brandes. Perhaps that somewhat poetic curriculum vita had provoked him into writing Ecce Homo, a kind of autobiography. Brandes was not the only one who discerned his greatness. A small group of admirers scattered around the world, like some sensitive and tiny animals, apprehended the coming earthquake that would be caused by his thought, like rats they knew that the ship of contemporaneity should be abandoned, that weak and ornate yacht that has been trying for as long as possible to hide one unpleasant and uncorrectable fact—that it is sinking. He flipped through the pages and read the manuscripts till it became dark. Then he lit a lamp and sat quietly looking at the wall, probably thinking about his works in the swaying and shadowy, solemn and almost churchlike silence. Lately he could read and write under artificial light only with great difficulty. The letters were searching for the sun. He sat motionless for a long time; only his forehead would occasionally be covered with wrinkles like a sea covered with small waves stroked by a light wind. Sometimes his right hand would press his temples, covering his forehead with its span, like a kid measuring distance. When he glanced at the clock it was already nearly midnight. He lay down and, amazingly, again fell asleep quickly. His spirit sank into sleep at practically the same moment that his body sank into the bed. According to the Bible, King David always fell asleep this quickly.

 

1.2.1889

 

Nietzsche awoke at daybreak, amazed and happy. Again he had slept well and deeply. He was turning in bed, waking up. Lusciously, he rolled his tongue in satisfaction, like a dog. He was still in the thrall of yesterday’s excellent mood, that almost physically tangible height of self-consciousness and agitated satisfaction. Ideas, concepts, phrases, sentences—the totality of the mental architecture and rhetorical facade of his works stood under his view, and he was satisfied with the plasticity of that phenomenon, its picturesque appearance. Along with this vision, in the background, he saw a moving sequence of the events and situations of his life from the times that certain of his works were created. He recalled certain memories and relived them in the sweet-and-sour and distressingly painless way that occurs when a self from some past period splits from the present self and they feel only a slight identification with each other as if with some imaginary personality, a figment, a personality after all not so likeable, but which has some insignificant detail that allows for identification, let’s say a similarity of lips or clothing, for example. But apparently all these things he recalled so indifferently today had made his works such as they are, and so they seemed significant to him. Although his mood was closer to yesterday’s than to that of two days before, his behavior was, on the contrary, closer to that of two days ago than to yesterday’s. Nietzsche lay awake in bed till nearly noon, not due to some weakness this time but rather due to the satisfaction of spiritual abundance, due to the enjoyment of idleness that is (as he himself wrote before) what a true thinker desires the most. Still he did not intend to spend the whole day lying down. He was an ascetic in his intimate pleasures, even though in recent months he had occasionally written true praises of indulgence (actually, mostly about simple animal indulgence, indulgence in the things he himself liked). His youthful character, which to some extent was expressed in those events he had been recalling this morning, lingered more in the practical atavism of his habits than in the theoretical evolution of his writings and rhetorically formed thoughts. The similarity with yesterday’s mood also repeated itself today in the will to work. As he had yesterday, Nietzsche sat at his writing desk and read his own manuscripts. But as opposed to the previous day, his inner state did not have that pleasant uniformity. In the background it was as if some undetermined shadow was waxing, a shadow that covered the sun his soul so desired, a shadow that slowly grew as after high noon. He tried to chase away or forget that unpleasant feeling by walking in the room, trying through physical activity to bring a pleasant ingredient to the dull chemistry of the complicated mechanism of his consciousness. After a while he sat again and began flipping quickly and chaotically through his manuscripts, one after another, as if searching in every one of them for a formula that would sum up his complete opus and teaching. From the background of his brain, from some sphere of the huge terra incognita that was his internal kingdom, an obsessive refrain, a chorus of unpleasant suspicion, was relentlessly emerging to the surface of his spiritual sea, and it was slowly but surely coming to occupy the front line of his mood, triumphing over yesterday’s happy self-satisfaction. Most likely, the siren’s song of this suspicion expressed skepticism toward the fruit of his efforts. It was something that must have been hard on him, although suspicion is in fact something human, truly human. It must have seemed to Nietzsche that the various casual thoughts and associations he had had over the previous two days had carried a hint as to what was now happening, like when a sailor understands the meaning of what had seemed to be an innocent cloud just before a storm breaks. Then he took up the manuscript of The Will to Power, a work he thought that by its name alone expressed the concrete quintessential originality and novelty of his teaching. This work, too, had been created last year. His spirit lives in all the other works from that period. What is good?—Whatever augments the feeling of power, the will to power, power itself, in man.—This nearly catechistical phrase, in question and answer form, is at the beginning of The Antichrist. But the unpleasant feeling was spreading organically through his body. Nietzsche again stood up and began walking about the room. He had no desire to go out, as if the unpleasant feeling manifested itself also in some kind of agoraphobia. Suddenly he stopped by the bedside night table, a night table with books, as if seeing it for the first time. He looked at the hardbound works of his teachers and educators. As if hypnotized, he picked up The World as Will and Representation. Then perhaps he remembered Dostoyevsky, the only psychologist from whom he learned anything, a psychologist who belongs to the most beautiful happy moments of his life. In one Dostoyevsky novel, a German (apropos—Dostoyevsky, that deep man, was right ten times over to devalue trivial Germans) looks for answers to his dilemmas by opening the Bible at random and taking the first sentence he sees as a prophecy, as a kind of Pythian perfect advice to be followed. At random Friedrich opened the Bible of his youth: The World as Will and Representation. The heavy tome opened to the beginning of the fifty-fourth chapter. Nietzsche’s glance fell on the next-to-last sentence of the second paragraph: Since the will always wants life, exactly because life is nothing else but a manifestation of that will in representation, it is completely unimportant, it is just a pleonasm, if instead of saying simply will we say will to live. Nietzsche read this sentence aloud several times, and then closed and put aside the book. He sat on the bed and stared at the wall. He must have been remembering two opposite pages of his experience that stood for the two poles of his youth: his education of a philologist and his enthusiasm for Schopenhauer. Now these two poles melted together in some kind of metaphysical disappointment. Perhaps it seemed to him that his whole life was just a pleonasm. Because what is the will for power other than the most ordinary will to live or simply just will, the blind will of Schopenhauer. He had dedicated his life to a phantom. And perhaps he remembered his pure youthful love for Schopenhauer, a love he had betrayed so nastily so many times in last year’s writings, like a divorced husband slandering the former wife whom he still loves above all. He was disgusted by this yearning for his youth, just as he was disgusted by all vulgar commonplaces, but he was also yearning for sincerity, for a source, for health, strength, vigor, enthusiasm. Outside it was getting darker, as it was in his soul. Nietzsche probably sat in the dark till after midnight.

 

1.3.1889

 

Opening his eyes this morning, Nietzsche did not know if he had awakened. In fact, he was not sure if he slept at all last night. He had spent the whole night in some giddy delirium, a surrogate of sleep. It was overcast outside. The first clouds of the new year were floating above Turin. Immediately after opening his eyes, which could be called awakening only by inertia, Nietzsche got dressed and went out. He had not left the house for a full two days. He went out into the fresh air driven perhaps by  some ancient instinct, some almost archetypical hope that relief would come from fresh air in open spaces. It was still early and the streets were deserted. The first sign of life he saw was a carriage on the corner. He heard a whistle, but not a whistle made by the wind. As Friedrich approached the corner with the carriage, the whistle became mixed with the sound of his footsteps and the coachman’s cruel cursing. The incisive scream of a whip nearly covered the horse’s painful groan. At the street corner, the laughing coachman was beating the horse with a thick leather whip, beating it cruelly, bloodily, and for no reason. With his eyes frothing, the coachman watched a neat and refined gentleman approach him. He began hitting the horse even harder, more briskly and more frequently. The thick bristly mustache of the slowly approaching gentleman was visibly trembling. The coachman thought that Nietzsche was laughing approvingly. But in fact Nietzsche was looking into the horse’s sad eyes, into the animal’s terribly sad eyes. His already slow steps became shaky and insecure as a drunkard’s. With his last remaining strength he came up to the horse and embraced it firmly, running his hands through its mane like a man playing with the hair of his beloved. His shoulders were heaving in an almost fatal spasm. The whip in coachman’s hand froze and became mute. Perhaps for a moment the coachman thought that he was dreaming. The gentlemanly pedestrian embraced the horse and shed tears. For the first time since his childhood Friedrich Nietzsche was crying.

 

 

Muharem Bazdulj, The Second Book, Northwestern University Press, 2005. Originally published in Bosnian in 2000 under the title Druga knjiga. Translated from the Bosnian by Oleg Andrić and Andrew Wachtel.