ballard’s new wave & the terminal beach (part one)

j.g. ballard, the terminal beach


The Terminal Beach by monkeyiron. 

 

The Terminal Beach

 

At night, as he lay asleep on the floor of the ruined bunker, Traven heard the waves breaking along the shore of the lagoon, like the sounds of giant aircraft warming up at the ends of their runways. This memory of the great night raids against the Japanese mainland had filled his first months on the island with images of burning bombers falling through the air around him. Later, with the attacks of ben-ben, the nightmare passed and the waves began to remind him of the deep Atlantic rollers on the beach at Dakar, where he had been born, and of watching from the window in the evenings for his parents to drive home along the corniche road from the airport. Overcome by this long-forgotten memory, he woke uncertainly from the bed of old magazines on which he slept and went out to the dunes that screened the lagoon.

 

Through the cold night air he could see the abandoned Superfortresses lying among the palms beyond the perimeter of the emergency landing field three hundred yards away. Traven walked through the dark sand, already forgetting where the shore lay, although the atoll was little more than half a mile in width. Above him, along the crests of the dunes, the tall palms leaned into the dim air like the symbols of a cryptic alphabet. The landscape of the island was covered by strange ciphers.

 

Giving up the attempt to find the beach, Traven stumbled into a set of tracks left years earlier by a large caterpillar vehicle. The heat released by the weapons tests had fused the sand, and the double line of fossil imprints, uncovered by the evening air, wound its serpentine way among the hollows like the footfalls of an ancient saurian.

 

Too weak to walk any further, Traven sat down between the tracks. Hoping that they might lead him to the beach, he began to excavate the wedge-shaped grooves from a drift into which they disappeared. He returned to the bunker shortly before dawn, and slept through the hot silences of the following noon.

 

 

The Blocks

 

As usual on these enervating afternoons, when not even a breath of on-shore breeze disturbed the dust, Traven sat in the shadow of one of the blocks, lost somewhere within the centre of the maze. His back resting against the rough concrete surface, he gazed with a phlegmatic eye down the surrounding aisles and at the line of doors facing him. Each afternoon he left his cell in the abandoned camera bunker among the dunes and walked down into the blocks. For the first half an hour he restricted himself to the perimeter aisle, now and then trying one of the doors with the rusty key in his pocket – found among the litter of smashed bottles and cans in the isthmus of sand separating the testing ground from the air-strip – and then inevitably, with a sort of drugged stride, he set off into the centre of the blocks, breaking into a run and darting in and out of the corridors, as if trying to flush some invisible opponent from his hiding place. Soon he would be completely lost. Whatever his efforts to return to the perimeter, he always found himself once more in the centre.

 

Eventually he would abandon the task, and sit down in the dust, watching the shadows emerge from their crevices at the foot of the blocks. For some reason he invariably arranged to be trapped when the sun was at zenith – on Eniwetok, the thermonuclear noon.

 

One question in particular intrigued him: ‘What sort of people would inhabit this minimal concrete city?’

 

 

The Synthetic Landscape

 

‘This island is a state of mind,’ Osborne, one of the scientists working in the old submarine pens, was later to remark to Traven. The truth of this became obvious to Traven within two or three weeks of his arrival. Despite the sand and the few anaemic palms, the entire landscape of the island was synthetic, a man-made artefact with all the associations of a vast system of derelict concrete motorways. Since the moratorium on atomic tests, the island had been abandoned by the Atomic Energy Commission, and the wilderness of weapons aisles, towers and blockhouses ruled out any attempt to return it to its natural state. (There were also stronger unconscious motives, Traven recognized: if primitive man felt the need to assimilate events in the external world to his own psyche, 20th century man had reversed this process; by this Cartesian yardstick, the island at least existed, in a sense true of few other places.)

 

But apart from a few scientific workers, no one yet felt any wish to visit the former testing ground, and the naval patrol boat anchored in the lagoon had been withdrawn three years before Traven’s arrival. Its ruined appearance, and the associations of the island with the period of the Cold War – what Traven had christened ‘The Pre-Third’ were profoundly depressing, an Auschwitz of the soul whose mausoleums contained the mass graves of the still undead. With the Russo-American détente this nightmarish chapter of history had been gladly forgotten.

 

The Pro- Third

The actual and potential destructiveness of the atomic bomb plays straight into the hands of the Unconscious. The most cursory study of the dream-life and fantasies of the insane shows that ideas of world-destruction are latent in the unconscious mind… Nagasaki destroyed by the magic of science is the nearest man has yet approached to the realization of dreams that even during the safe immobility of sleep are accustomed to develop into nightmares of anxiety.

 

Glover: ‘War, Sadism and Pacifism’

The Pre-Third: the period was characterized in Traven’s mind above all by its moral and psychological inversions, by its sense of the whole of history, and in particular of the immediate future – the two decades, 1945-65 – suspended from the quivering volcano’s lip of World War III. Even the death of his wife and six-year-old son in a motor accident seemed only part of this immense synthesis of the historical and psychic zero, the frantic highways where each morning they met their deaths the advance causeways to the global armageddon.

 

 

Third Beach

 

He had come ashore at midnight, after a hazardous search for an opening in the reef. The small motorboat he had hired from an Australian pearl-diver at Charlotte Island subsided into the shallows, its hull torn by the sharp coral. Exhausted, Traven walked through the darkness among the dunes, where the dim outlines of bunkers and concrete towers loomed between the palms.

 

He woke the next morning into bright sunlight, lying halfway down the slope of a wide concrete beach. This ringed an empty reservoir or target basin some two hundred feet in diameter, part of a system of artificial lakes built down the centre of the atoll. Leaves and dust choked the exit grilles, and a pool of warm water two feet deep lay below him, reflecting a distant line of palms.

 

Traven sat up and took stock of himself. This brief inventory, which merely confirmed his physical identity, was limited to little more than his thin body in its frayed cotton garments. In the context of the surrounding terrain, however, even this collection of tatters seemed to possess a unique vitality. The desolation and emptiness of the island, and the absence of any local fauna, were emphasized by the huge sculptural forms of the target basins set into its surface. Separated from each other by narrow isthmuses, the lakes stretched away along the curve of the atoll. On either side, sometimes shaded by the few palms that had gained a precarious purchase in the cracked cement, were roadways, camera towers and isolated blockhouses, together forming a continuous concrete cap upon the island, a functional, megalithic architecture as grey and minatory (and apparently as ancient, in its projection into, and from, time future) as any of Assyria and Babylon.

 

The series of weapons tests had fused the sand in layers, and the pseudogeological strata condensed the brief epochs, microseconds in duration, of thermonuclear time. Typically the island inverted the geologist’s maxim, ‘The key to the past lies in the present.’ Here, the key to the present lay in the future. This island was a fossil of time future, its bunkers and blockhouses illustrating the principle that the fossil record of life was one of armour and the exoskeleton.

 

Traven knelt in the warm pool, and splashed his shirt and trousers. The reflection revealed the watery image of gaunt shoulders and bearded face. He had come to the island with no supplies other than a small bar of chocolate, assuming that in some way the island would provide its own sustenance. Perhaps, too, he had identified the need for food with a forward motion in time, and that with his return to the past, or at most into a zone of non-time, this need would be eliminated. The privations of the previous six months, during his journey across the Pacific, had already reduced his always thin body to that of a migrant beggar, held together by little more than the preoccupied gaze in his eye. Yet this emaciation, by stripping away the superfluities of the flesh, revealed an inner sinewy toughness, an economy and directness of movement.

 

For several hours Traven wandered about, inspecting one bunker after another for a convenient place to sleep. He crossed the remains of a small landing field, next to a dump where a dozen B-29s lay across one another like dead reptile birds.

 

 

The Corpses

 

Once he entered a small street of metal shacks, containing a cafeteria, recreation rooms and shower stalls. A wrecked jukebox lay half-buried in the sand behind the cafeteria, its selection of records still in their rack.

 

Further along, flung into a small target lake fifty yards from the shacks, were the bodies of what at first he thought were the former inhabitants of this ghost town – a dozen life-size plastic models. Their half-melted faces, contorted into bleary grimaces, gazed up at him from the jumble of legs and torsoes.

 

On either side of him, muffled by the dunes, came the sounds of waves, the great rollers on the seaward side breaking over the reefs, and on to the beaches within the lagoon. However, he avoided the sea, hesitating before any rise or dune that might take him within its sight. Everywhere the camera towers offered him a convenient aerial view of the confused topography of the island, but he avoided their rusting ladders.

 

Traven soon realized that however random the blockhouses and towers might seem, their common focus dominated the landscape and gave to it a unique perspective. As he noticed when he sat down to rest in the window slit of one of the bunkers, all these observation posts occupied positions on a series of concentric perimeters, moving in tightening arcs towards the inmost sanctuary. This ultimate circle, below ground zero, remained hidden beyond a line of dunes a quarter of a mile to the west.

 

 

The Terminal Bunker

 

After sleeping for a few nights in the open, Traven returned to the concrete beach where he had woken on his first morning on the island, and made his home – if the term could be applied to that damp crumbling hovel – in a camera bunker fifty yards from the target lakes. The dark chamber between the thick canted walls, tomb-like though it might seem, gave him a sense of physical reassurance. Outside, the sand drifted against the sides, half-burying the narrow doorway, as if crystallizing the immense epoch of time that had elapsed since the bunker’s construction. The narrow rectangles of the five camera slits, their shapes and positions determined by the instruments, studded the west wall like runic ideograms. Variations on these ciphers decorated the walls of the other bunkers, the unique signature of the island. In the mornings, if Traven was awake, he would always find the sun divided into its five emblematic beacons.

 

Most of the time the chamber was filled only by a damp gloomy light. In the control tower at the landing field Traven found a collection of discarded magazines, and used these to make a bed. One day, lying in the bunker shortly after the first attack of ben-ben, he pulled out a magazine pressing into his back and found inside it a full-page photograph of a six-year-old girl. This blonde-haired child, with her composed expression and self-immersed eyes, filled him with a thousand painful memories of his son. He pinned the page to the wall and for days gazed at it through his reveries.

 

For the first few weeks Traven made little attempt to leave the bunker, and postponed any further exploration of the island. The symbolic journey through its inner circles set its own times of arrival and departure. He evolved no routine for himself. All sense of time soon vanished, and his life became completely existential, an absolute break separating one moment from the next like two quantal events. Too weak to forage for food, he lived on the old ration packs he found in the wrecked Superfortresses. Without any implement, it took him all day to open the cans. His physical decline continued, but he watched his spindling legs and arms with indifference.

 

By now he had forgotten the existence of the sea and vaguely assumed the atoll to be part of some continuous continental table. A hundred yards to the north and south of the bunker a line of dunes, topped by the palisade of enigmatic palms, screened the lagoon and sea, and the faint muffled drumming of the waves at night had fused with his memories of war and childhood. To the east was the emergency landing strip and the abandoned aircraft. In the afternoon light their shifting rectilinear shadows made them appear to writhe and pivot. In front of the bunker, where he would sit, was the system of target lakes, the shallow basins extending across the atoll.

 

Above him, the five apertures looked out upon this scene like the tutelary symbols of a futuristic myth.

 

 

The Lakes and the Spectres

 

The lakes had been designed to reveal any radiobiological changes in a selected range of fauna, but the specimens had long since bloomed into grotesque parodies of themselves and been destroyed.

 

Sometimes in the evenings, when a sepulchral light lay over the concrete bunkers and causeways, and the basins seemed like ornamental lakes in a city of deserted mausoleums, abandoned even by the dead, he would see the spectres of his wife and son standing on the opposite bank. Their solitary figures appeared to have been watching him for hours. Although they never moved, Traven was sure they were beckoning to him. Roused from his reverie, he would stumble forward across the dark sand to the edge of the lake and wade through the water, shouting soundlessly at the two figures as they moved away hand in hand among the lakes and disappeared across the distant causeways.

 

Shivering with cold, Traven would return to the bunker and lie on the bed of old magazines, waiting for their return. The image of their faces, the pale lantern of his wife’s cheeks, floated on the river of his memory.

 

 

The Blocks (II)

 

It was not until he discovered the blocks that Traven realized he would never leave the island.

 

At this stage, some two months after his arrival, Traven had exhausted his small cache of food, and the symptoms of ben-ben had become more acute. The numbness in his hands and feet, and the gradual loss of strength, continued. Only by an immense effort, and the knowledge that the inner sanctum of the island still lay unexplored, did he manage to leave the palliasse of magazines and make his way from the bunker.

 

As he sat in the drift of sand by the doorway that evening, he noticed a light shining through the palms far into the distance around the atoll. Confusing this with the image of his wife and son, and visualizing them waiting for him at some warm hearth among the dunes, Traven set off towards the light. Within a hundred yards he lost his sense of direction. He blundered about for several hours on the edges of the landing strip, and succeeded only in cutting his foot on a broken coca-cola bottle in the sand.

 

After postponing his search for the night, he set out again in earnest the next morning. As he moved past the towers and blockhouses the heat lay over the island in an unbroken mantle. He had entered a zone devoid of time. Only the narrowing perimeters warned him that he was crossing the inner field of the fire-table.

 

He climbed the ridge which marked the furthest point in his previous exploration of the island. From the plain below it the recording towers rose into the air like obelisks. Traven walked down towards them. On their grey walls were the faint outlines of human forms in stylized poses, the flash-shadows of the target community burnt into the cement. Here and there, where the concrete apron had cracked, a line of palms hung in the motionless air. The target lakes were smaller, filled with the broken bodies of plastic models. Most of them lay in the inoffensive domestic postures into which they had been placed before the tests.

 

Beyond the furthest line of dunes, where the camera towers began to turn and face him, were the tops of what seemed to be a herd of square-backed elephants. They were drawn up in precise ranks in a hollow that formed a shallow corral, the sunlight reflected off their backs.

 

Traven advanced towards them, limping on his cut foot. On either side of him the loosening sand had excavated the dunes, and several of the blockhouses tilted on their sides. This plain of bunkers stretched for some quarter of a mile, the half-submerged hulks, bombed out onto the surface in some earlier test, like the abandoned wombs that had given birth to this herd of megaliths.

 

 

The Blocks (III)

 

To grasp something of the vast number and oppressive size of the blocks, and their impact upon Traven, one must try to visualize sitting in the shade of one of these concrete monsters, or walking about in the centre of this enormous labyrinth that extended across the central table of the island. There were two thousand of them, each a perfect cube 15 feet in height, regularly spaced at ten-yard intervals. They were arranged in a series of tracts, each composed of two hundred blocks, inclined to one another and to the direction of the blast. They had weathered only slightly in the years since they were first built, and their gaunt profiles were like the cutting faces of a gigantic dieplate, devised to stamp out rectilinear volumes of air the size of a house. Three of the sides were smooth and unbroken, but the fourth, facing away from the blast, contained a narrow inspection door.

 

It was this feature of the blocks that Traven found particularly disturbing. Despite the considerable number of doors, by some freak of perspective only those in a single aisle were visible at any point within the maze. As he walked from the perimeter line into the centre of the massif, line upon line of the small metal doors appeared and receded.

 

Approximately twenty of the blocks, those immediately below ground zero, were solid: the walls of the remainder were of varying thicknesses. From the outside they appeared to be of uniform solidity.

 

As he entered the first of the long aisles, Traven felt the sense of fatigue that had dogged him for so many months begin to lift. With their geometric regularity and finish, the blocks seemed to occupy more than their own volumes of space, imposing on him a mood of absolute calm and order. He walked on into the centre of the maze, eager to shut out the rest of the island. After a few random turns to left and right, he found himself alone, the vistas to the sea, lagoon and island closed.

 

Here he sat down with his back to one of the blocks, the quest for his wife and son forgotten. For the first time since his arrival at the island the sense of dissociation set off by its derelict landscape began to recede.

 

One development he did not expect. With dusk, and the need to leave the blocks and find food, he realized that he had lost himself. However he retraced his steps, struck out left or right at an oblique course, oriented himself around the sun and pressed on resolutely north or south, he found himself back again at his starting point. Only when darkness came did he manage to make his escape.

 

Abandoning his former home near the aircraft dump, Traven collected together what canned food he could find in the waist turret and cockpit lockers of the Superfortresses. He pulled them across the atoll on a crude sledge. Fifty yards from the perimeter of the blocks he took over a tilting bunker, and pinned the fading photograph of the blonde-haired child to the wall beside the door. The page was falling to pieces, like a fragmenting mirror of himself. Since the discovery of the blocks he had become a creature of reflexes, kindled from levels above those of his existing nervous system (if the autonomic system was dominated by the past, Traven sensed, the cerebro-spinal reached towards the future). Each evening when he woke he would eat without appetite and then wander among the blocks. Sometimes he took a canteen of water with him and remained there for two or three days on end.

 

 

Advertisements

Leave a comment

No comments yet.

Comments RSS TrackBack Identifier URI

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s